![]() Not for the sake of saying it, not because I'm a nerd, but because in my eyes there is no other way forward for us. The core of what we're doing is embracing technology as a catalyst for better ways to communicate. Feeling competitive? Try and land one of Elon Musk's rockets on Mars. You can watch a video on the man who wrecked (or restored, depending on your view) the show Sesame Street, or listen to a brilliant piece of audio about what new art is coming in the wake of Hamilton - because modern stories don't come in one shape or one size. You can see it at play in our story about what it's like to transition genders - twice - or a fascinating story about the future of satellite surveillance (hint: it's going to be everywhere and forever). ![]() A real-time, highly extensible, extremely modern way of making things on the internet. In short, it's a complex new piece of tech: a real-time, highly extensible, extremely modern way of making things on the internet. But our system also provides an incredible way of building intricate, deep, creatively varied stories that can be a single narrative or a sum of parts. So our ability to point you toward some interesting data, or key facts about a story, or context about where a story is coming from is vastly expanded. What’s most exciting about the platform is that we're able to break apart and atomize story elements into forms that are sized for what we want to communicate. We’re focused on three topics that are increasingly converging in strange and important ways: power (who has it, who wants it, and what do they do when they get it?), culture (the way we live and communicate), and the future (where we’re going next). ![]() Our foundational reason for building The Outline is that we're really excited about putting something into the world that wasn't there before. And that has been detrimental to the audience and the business alike. The math of this miscalculation is clear: For far too long the media industrial complex has relied on the crutch of scale and quantity, regurgitative storytelling practices, the strength of other people's technology and ideas, and a skewed view of its own position in the world. ![]() This is not entirely the fault of the news industry, but it's not not the industry's fault. I'm not going to bore you with every tiny detail, but by now it should be rather clear that something is broken in the way the media functions and in what is expected of a media organization. But telling the right stories for right now - and telling them in a way that's meaningful and modern - isn't going to happen by itself. We made this thing because we believe that the right story told in the right way can change someone's life. It is also helpful because these sentences can be transferred directly to the paper later.Welcome to The Outline, a new kind of publication for a new kind of human. This can be helpful, as it ensures the complete thought is recorded on the outline and will not be forgotten when it comes time to write the paper. The primary difference is that each topic, or thought, is written out as a full sentence. The full sentence outline is similar to the alphanumeric outline in that it follows the same format. Not all headings or subheadings will be separated into further classifications. ![]() The fourth level of subheadings can be separated into two or more distinct classifications and noted by lower-case letters. The third level of subheadings can be separated into two or more distinct classifications and noted by Arabic numbers. These subheadings would be indented and then noted by a capital letter. Each main heading, or topic, is noted by a Roman numeral and can be separated into two or more distinct classifications. The alphanumeric outline is the standard format most people learned in high school English. ![]()
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